{"id":4473,"date":"2025-09-17T07:03:50","date_gmt":"2025-09-17T07:03:50","guid":{"rendered":"https:\/\/www.demian.be\/?p=4473"},"modified":"2025-09-17T07:03:53","modified_gmt":"2025-09-17T07:03:53","slug":"nieuwe-catalogus-new-catalogue","status":"publish","type":"post","link":"https:\/\/www.demian.be\/en\/nieuwe-catalogus-new-catalogue\/","title":{"rendered":"Nieuwe catalogus | New catalogue"},"content":{"rendered":"<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Onze nieuwe catalogus staat online!&nbsp;<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=46460a4268&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Klik hier om het pdf-bestand (6MB) te openen<\/a>.<\/p>\n\n\n\n<p>De papieren versie is gratis beschikbaar in de winkel en op onze beurs standen&nbsp;in&nbsp;<a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=e8eb5a6040&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Brussel<\/a>&nbsp;en&nbsp;<a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=63d8e0abca&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam<\/a>.<\/p>\n\n\n\n<p>Vormgeving: Jelle Jespers<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=82b36fec1b&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Salon du Mont des Arts<\/a><br>Square Mont des Arts \/ 2 Rue Ravenstein, 1000 Brussels<br>18 september: 17:00 &#8211; 20:00<br>19 september: 11:00 &#8211; 20:00<br>20 september: 11:00 &#8211; 19:00<\/p>\n\n\n\n<p>Booth A9. Gratis toegang | Free admission.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Our new catalog is online!<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=8b55ba35e1&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Click here to open the pdf<\/a>&nbsp;(6MB).<\/p>\n\n\n\n<p>The paper edition is free available in our store and at our fair stands in&nbsp;<a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=ed418f910a&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Brussels<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=09c7780d89&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam<\/a>.&nbsp;<\/p>\n\n\n\n<p>Graphic design: Jelle Jespers<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a href=\"https:\/\/demian.us12.list-manage.com\/track\/click?u=5128f780fc1563c48d5238ad7&amp;id=5696a077b7&amp;e=23d98acce6\" target=\"_blank\" rel=\"noreferrer noopener\">Amsterdam International Antiquarian Book Fair<\/a><br>Zuiderkerk, Zuiderkerkhof 72, 1011WB, Amsterdam<br><\/p>\n\n\n\n<p>27 september: 11:00 &#8211; 19:00<br>28 september: 11:00 &#8211; 17:00<\/p>\n\n\n\n<p>Booth 8. Gratis toegang | Free admission.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Catalogue highlight:<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Til Brugman. Klankzin (Sound sense).\u00a0<\/h2>\n\n\n\n<p>Small archive of the so called \u2018Klankgedichten\u2019 (sound poems) by Dutch author Til Brugman (1888-1958); thirty poems in original typoscript, of which three signed (one dated 1919), an original maquette by German artist and graphic designer Friedrich Vordemberge-Gildewart (1899-1962); a member of \u2018De Stijl\u2019, and some graphic interpretations of Brugman\u2019s poems by Hungarian Bauhaus artist Andor Weininger (1899-1986) and Dutch graphic designer Tom de Heus (1921-1985).\u00a0<\/p>\n\n\n\n<p>Friedrich Vordemberge-Gildewart. Maquette\u00a0<em>Klankzin<\/em>. 1945 Six pages mounted on a purple cover page. 26:19,5 with colorful accents in paper and ink. On some pages the text is presented in an abstraction. It includes a handwritten clarification (dated 1979) by the Dutch artist and writer L.P.J. Braat (1908-1982) on the cover of the maquette. Braat states that Andor Weininger created graphic design for\u00a0<em>Klankzin<\/em>\u00a0while living with Til Brugman and her partner in Amsterdam in the early 1950\u2019s. (see further)<br>\u00a0<br>Four pages of poems by Til Brugman, typographic design by Andor Weininger. (19,5:14,5 cm.) and one page with studies for the poem \u2018Geel\u2019 (yellow).\u00a0<br>\u00a0<br>Eight pages poems by Til Brugman typographic designed by Tom de Heus, proofs in two colours. (early 1950\u2019s?)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1024\" src=\"https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin-794x1024.png\" alt=\"\" class=\"wp-image-4475\" srcset=\"https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin-794x1024.png 794w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin-233x300.png 233w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin-768x991.png 768w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin-9x12.png 9w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin.png 1166w\" sizes=\"auto, (max-width: 794px) 100vw, 794px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"953\" height=\"1024\" src=\"https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2-953x1024.png\" alt=\"\" class=\"wp-image-4476\" srcset=\"https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2-953x1024.png 953w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2-279x300.png 279w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2-768x826.png 768w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2-11x12.png 11w, https:\/\/www.demian.be\/wp-content\/uploads\/2025\/09\/TilBrugman_Klankzin2.png 1386w\" sizes=\"auto, (max-width: 953px) 100vw, 953px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>Brugman was in close contact with a significant number of international avant-garde artists, among them Theo van Doesburg, Hannah H\u00f6ch (with whom she had a nine-year relationship and shared a home in Berlin), Husz\u00e1r, Lissitzky, Piet Mondriaan, and Kurt Schwitters.\u00a0<br>\u00a0<br>Most of Til Brugman\u2019s poetry is considered lost. Only a few of her \u2018klankgedichten\u2019 have survived, the best known of which were published in 1923 in the magazines \u2018De Stijl\u2019 (titled \u2018R\u2019) and \u2018Merz\u2019 (titled \u2018Weg\u2019).\u00a0<br>\u00a0<br>Brugman wrote her \u2018Klankgedichten\u2019 mainly between 1917 and 1922, intending to publish a selection under the title\u00a0<em>Klankzin<\/em>. However, a series of setbacks meant that the book was never realised. This small archive proves that the author worked on it throughout the years.\u00a0<\/p>\n\n\n\n<p>At the request of the curators of the\u00a0<em>De Stijl<\/em>\u00a0exhibition at the\u00a0<em>Stedelijk Museum<\/em>\u00a0Amsterdam in 1952, Brugman loaned her sound poems for exhibition. It is not known what exactly was on loan, but it is assumed that it contained the complete\u00a0<em>Klankzin<\/em>\u00a0manuscript. Unfortunately the piece was lost and never returned to Brugman. Could the compilation we offer here be the missing piece?<br>\u00a0<br>Provenance: collection L.P.J. Braat.<br>\u00a0<br>This early typewriter poetry archive reveals many connections and opens up further research possibilities.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Onze nieuwe catalogus staat online!&nbsp; Klik hier om het pdf-bestand (6MB) te openen. De papieren versie is gratis beschikbaar in de winkel en op onze beurs standen&nbsp;in&nbsp;Brussel&nbsp;en&nbsp;Amsterdam. Vormgeving: Jelle Jespers Salon du Mont des ArtsSquare Mont des Arts \/ 2 &hellip; <a class=\"kt-excerpt-readmore\" href=\"https:\/\/www.demian.be\/en\/nieuwe-catalogus-new-catalogue\/\" aria-label=\"Nieuwe catalogus | New catalogue\">Read More<\/a><\/p>","protected":false},"author":1,"featured_media":4465,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[661,620],"tags":[],"class_list":["post-4473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nieuws","category-papierencatalogi"],"_links":{"self":[{"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/posts\/4473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/comments?post=4473"}],"version-history":[{"count":1,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/posts\/4473\/revisions"}],"predecessor-version":[{"id":4477,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/posts\/4473\/revisions\/4477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/media\/4465"}],"wp:attachment":[{"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/media?parent=4473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/categories?post=4473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.demian.be\/en\/wp-json\/wp\/v2\/tags?post=4473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}