Marcel Broodthaers. Phantomas.
Special Broodthaers issue, designed by the artist.
Bruxelles, Phantomas, February 1966, XIII, No.62, one of 500 copies. Directors: Théodore Koenig, Joseph Noiret, Marcel & Gabriel Piqueray. (16p.) 22,5:14 cm, stapled.
Printed in black and red.
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Maurice Maeterlinck. Douze Chansons. Illustré par Charles Doudelet.
1929 Bruxelles, Edition Aryenne. Printed by Edmond Gregoir after the 1896 edition, and extended with 12 extra illustrations.
This is number 3 of 25 de-luxe copies on Japanese paper (prior to 75 copies on Arches) with hand-coloured illustrations by the artist, and a suite of the illustrations on Chinese paper. Signed by Maeterlinck and Doudelet. 43,5:32,5 cm. in portfolio.
An iconic result of the collaboration between the symbolist writer – and only Belgian Nobel-prize for literature Laureate – Maurice Maeterlinck and the great Belgian symbolist painter Charles Doudelet.
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Bazooka. 31 publications of the Bazooka group. 1976-1978.
31 publications of the Bazooka group, a French graphic punk artist collective formed by Kiki and Loulou Picasso, Bernard Vidal, Olivia Clavel, Lulu Larsen, and Jean Rouzaud. Collected by a Dutch connoisseur in private binding by Pau Groenendijk. 44,5:32 cm.
- Un regard moderne no 1 – 5 (1978 Libération)
- 4 Bazooka inserts from ‘Métal Hurlant’ magazine (late seventies)
- Les animaux malades no 1 – 5 / 7 – 12 (1977)
- Bulletin périodique no. 1-7 (1976-1978)
- Orphelina Orphanage Graphique no. 1-4 (1978)

Anselm Kiefer. Hoffmann von Fallersleben auf Helgoland.
1980 Groningen, Groninger Museum, First edition, 500 copies, 30:21,5 cm. Original binding.

Droste-Rombouts (Monika Droste et Guy Rombouts). Inventaire.
1991 Bruxelles, La Galerie Camille von Scholz, Editions Camille von numérotés et signés, un des 6 original, découpé numéroté et signé.
Un livre blanco relié en forme du mot ‘Book’ en Azart (un alphabet développé par Monika Droste et Guy Rombouts). La page de la justification de tirage sur une feuille insérée.
25:18cm.

TYP. Typografisch papier.
Amsterdam 1986-2021. A complete collection of this unconventional, critical and very sparkling Dutch typographic magazine. TYP was launched in 1986 by graphic artist Max Kisman as a birthday present for two of his close friends; Jan Dietvorst and Peter Mertens. Together they formed the illustrious ‘Genootschap Kunst & Macht’ (Art & Power Society).
Soon after the birthday party, ‘TYP issue A’ was printed for a larger audience. Editors Jan Dietvorst, Henk Groenendijk, Atte Jongstra, Max Kisman, Kees Maas and Peter Mertens’ mission was to declare war to the state of design, typography and taste of the Dutch aesthetic elite of the time. ‘We are our own future!’ (from the editorial of issue A).
Although TYP was first of all a printed magazine on paper, experimenting in a variety of formats and printing techniques, other media were explored too. Thanks to ‘Media Master’ Peter Mertens, TYP had a pionering role in using electronic multi-media and became the first Dutch magazine to explore its role through the internet. To this day its content remains strikingly current.
Besides work of the editors, contributions by:
Jan Bons, Martin Bril, Bernadette Corstens, Wim Crouwel, Bram de Does, Martin Kaye, Gerrit Noordzij, Piet Schreuders, Ewald Spieker, Jan van Toorn, Gerard Unger, Peter Zegveld, and others!
TYP appeared in various forms and sometimes ephemere editions of which some are rarely to be traced. A nearly complete set of TYP is part of the collection Stedelijk Museum Amsterdam.
Our set consists of 28 items all in fine condition. Detailed description on demand.

Eduard Bal. Le dernier livre de Schmoll
1977 Antwerpen, Guy Schraenen éditeur. Record-object with on each side an original airplane collage, one of 50 numbered and signed copies. In original sleeve. 31:31 cm.
An hommage to poet Paul van Ostaijen and a tasteful reference to his intended publication ‘Het eerste boek van Schmoll’.

Marcel van Maele. m.v.m.
Catalogus met een inleiding van Willem Elias (‘De geboekstaafde claustrofobieën van Marcel van Maele’).
1994 Asse, Galerij De Ziener, oplage 200 genummerde en gemonogrammeerde exemplaren. Met een witgeschilderd omslag, gemonogrammeerd op de voorzijde en genummerd op de achterzijde. 22p. 42:30 cm. dubbele cahiersteek.
Een catalogus-object van formaat.

Thierry De Cordier. Over de kamer der Gedachten (Scriptorium)
e.a. zoals getoond in het Belgisch Paviljoen van de tentoonstellingstuinen ‘Giardini di Castello’ te Venetië n.a.v.d. XLVIIe Biënnale 1997.
1997 Brussel, Ministerie van de Vlaamse Gemeenschap, eerste druk. 54p. 42:30 cm. Losbladig in omslag.
Kunstenaarsboek in de mooie sobere vormgeving De Cordier eigen.
In nieuwstaat!