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George De Roo. Psychedelic slides.
Edited by René Franken. 2022 Antwerp, Demian, published on the occasion of the exhibition of the psychedelic work by George De Roo at Demian Books, March 2022, limited to 25 numbered copies and five lettered copies (hors commerce).
Each copy consists of reproductions of original artwork and documents (in offset, photo print, silkscreen and riso print) from the archive of George De Roo (collection Demian), a complete reprint of Captain Acid, a text on Destruction In Art Symposion by Nico Dockx, and 8 original psychedelic slides made by George De Roo in 1967-1968. Different sizes of paper in archive box with ring binder. 32,5:31:5,5 cm.
Graphic Design: Jelle Jespers.
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Gerelateerd
Guy Schraenen. AXE
Revue 1-3 (all published). 1975-1976 Antwerpen, Guy Schraenen, limited to 500 copies, one of the 370 numbered regular copies, complete in original slip-case. 30,5:21,5 cm.
All contributions (in silk-screen, offset and letterpress on various papers) are presented in a sparkling variety: foldouts, collages, vinyl, separate booklets.
Each issue contains a 7-inch vinyl dedicated to sound poetry: Henri Chopin & Brion Gysin [Axe 1], Brion Gysin and François Dufrêne [Axe 2], Sten Hanson [Axe 3].
Artists:
Roy Adzak, Eduard Bal, Antoine de Bary, Maurice Benhamou, Bram Bogart , Henri Chopin, Hugo De Clercq, Niko van Daele, Degottex, Jo Delahaut, Mirtha Dermisache, François Dufrêne, Esmeraldo, John Giorno, René Guiette, Brion Gysin, Sten Hanson, Bernard Heidsieck, Arrigo Lora-Totino, Françoise Mairey, Paul van Ostaijen, Plessi, Klaus Ritterbusch, L.J.P. Schelfhout, Ung No Lee.
Guy Schraenen’s amazing multimedia magazine in fine condition.
![[:nl]Christian Dotremont. Logogrammes (invitation)[:]](https://www.demian.be/wp-content/uploads/2021/02/Logogrammes-240x240.jpg)
Christian Dotremont. Logogrammes (invitation)
1975 Bruxelles, Jacques Damase Gallery. Invitation (9:17,5 cm.) avec logogramme:
‘Vois aussi ce que tu ne lis pas. Et que j’écris d’ailleurs pour voir’
Anselm Kiefer. Hoffmann von Fallersleben auf Helgoland.
1980 Groningen, Groninger Museum, First edition, 500 copies, 30:21,5 cm. Original binding.
Robert Filliou. Erforschung des Ursprungs (Recherche sur I’Origine).
1974 Düsseldorf, Städtischen Kunsthalle, multiple, Auflage 400 exemplare. Bedruckte papierbahn in einer Rolle (30:950 cm.).
Mit Beiheft. 27p. 15: 10,5 cm. Wasserschaden. Nicht signiert von Filliou, stattdessen mit Widmung (Wasserfleckig aber lesbar) von Daniel Spoerri:
“Robert est mon/ grandfrère,/ mais moi je suis sa/ mêre,/ vous trouvez pas/ que ca complique/ les choses
assez?/ Salute Freddy/ Daniel Spoerri/ 18 okt 74”
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Happening News. Nummer 1.
1965 Antwerpen, eigen beheer. 30:21 cm. Geniet met origineel plastic omslag.
Joost Swarte. Niet zo, maar zo!
Deel 1. 1985 Amsterdam, De Harmonie, eerste druk, 63p. 17:12,5 cm. Ingenaaid (met flappen).
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Eduard Bal. Le dernier livre de Schmoll
1977 Antwerpen, Guy Schraenen éditeur. Record-object with on each side an original airplane collage, one of 50 numbered and signed copies. In original sleeve. 31:31 cm.
An hommage to poet Paul van Ostaijen and a tasteful reference to his intended publication ‘Het eerste boek van Schmoll’.
Marcel van Maele. m.v.m.
Catalogus met een inleiding van Willem Elias (‘De geboekstaafde claustrofobieën van Marcel van Maele’).
1994 Asse, Galerij De Ziener, oplage 200 genummerde en gemonogrammeerde exemplaren. Met een witgeschilderd omslag, gemonogrammeerd op de voorzijde en genummerd op de achterzijde. 22p. 42:30 cm. dubbele cahiersteek.
Een catalogus-object van formaat.